What happens when a critique of modernity―a "revolt against the traditions of the Western world"―is situated within a non-European context, where the concept of the modern has been inevitably tied to the image of the West?
Seiji M. Lippit offers the first comprehensive study in English of Japanese modernist fiction of the 1920s and 1930s. Through close readings of four leading figures of this movement― Akutagawa, Yokomitsu, Kawabata, and Hayashi―Lippit aims to establish a theoretical and historical framework for the analysis of Japanese modernism.
The 1920s and 1930s witnessed a.
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